关键词：阻止 Quién lo impide
阻止电影上映于2021年,由著名电影明星坎德拉·雷西奥 Pablo Hoyos 西尔维娅·阿吉拉 Pablo Gavira Claudia Navarro Marta Casado Rony-Michelle Pinzaru Javier Sánchez 主演的剧情,情剧情,情电影，又名WHO’S STOPPING US。阻止讲述了: Quién lo impide is a call to change our perception of adolescents and youths; our idea of those born in the early 21st century who have recently reached adulthood; those who now seem guilty of everything as they themselves see their hopes dashed. Somewhere between documentary, fiction and pure testimonial record, the young adolescents show themselves the way they really are, the way we rarely see them, or the way they let us see them: taking advantage of the film camera to show off the best of themselves and renew our trust in the future; from fragility and emotion, with humour, intelligence, beliefs and ideas. Because the young people who speak to us about love, friendship, politics or education refer not only to their own situation, but to the things that always matter to us, at any age. Quién lo impide is a film about ourselves: about what we were, what we are and what we will continue to be. Quién lo impide is a call to change our percepti
阻止电影上映于2021年,由著名电影明星坎德拉·雷西奥 Pablo Hoyos 西尔维娅·阿吉拉 Pablo Gavira Claudia Navarro Marta Casado Rony-Michelle Pinzaru Javier Sánchez 主演的剧情,情剧情,情电影，又名WHO’S STOPPING US。阻止讲述了: Quién lo impide is a call to change our perception of adolescents and youths; our idea of those born in the early 21st century who have recently reached adulthood; those who now seem guilty of everything as they themselves see their hopes dashed. Somewhere between documentary, fiction and pure testimonial record, the young adolescents show themselves the way they really are, the way we rarely see them, or the way they let us see them: taking advantage of the film camera to show off the best of themselves and renew our trust in the future; from fragility and emotion, with humour, intelligence, beliefs and ideas. Because the young people who speak to us about love, friendship, politics or education refer not only to their own situation, but to the things that always matter to us, at any age. Quién lo impide is a film about ourselves: about what we were, what we are and what we will continue to be. Quién lo impide is a call to change our perception of adolescents and youths; our idea of those born in the early 21st century who have recently reached adulthood; those who now seem guilty of everything as they themselves see their hopes dashed. Somewhere between documentary, fiction and pure testimonial record, the young adolescents show themselves the way they really are, the way we rarely see them, or the way they let us see them: taking advantage of the film camera to show off the best of themselves and renew our trust in the future; from fragility and emotion, with humour, intelligence, beliefs and ideas. Because the young people who speak to us about love, friendship, politics or education refer not only to their own situation, but to the things that always matter to us, at any age. Quién lo impide is a film about ourselves: about what we were, what we are and what we will continue to be.
详情
跟着趣历史小编一起探寻历史上真实的贾母。
相交多年的甄家被抄家，贾母说：“咱们别管人家的事，且商量咱们八月十五日赏月是正经。”什么意思?是不是及时行乐、今朝有酒今朝醉?
贾赦把迎春许给孙家，贾母“心中却不十分称意，想来拦阻亦恐不听(没试试就担心不听了)，儿女之事自有天意前因(推给老天爷了)，况且他是亲生父亲(把迎春收到身边抚养时，可没想她有亲生父亲)，何必出头多事”。什么意思?是不是逃避责任?
及时行乐、逃避责任，这是八十岁的老太太贾母的心理状态。
让我们再往深里想想。年轻时的贾母，的确是睿智而慈悲的。就是前几年，她也把原生家庭不幸的迎春惜春、生母不贤不惠的探春、父母双亡的湘云、母死父老的黛玉收到身边，给她们一个良好健康的生活环境。现在变成这样，仅仅是因为年纪大了?
当然不是这么简单。不反对迎春的婚事，是因为她一定知道，如果不牺牲迎春，贾府会有更大的损失。
迎春再好、再亲(其实也没那么亲)，只是一个女孩子。贾府可是有牺牲女孩子换取家族繁荣的先例的。元春不是被送到宫里去了吗?要知道她初入宫的时候，不过是一个“女史”，是女官或者低级嫔妃，而不是进宫就当妃子那么荣耀。
元春是跟着贾母长大的，又是孙辈的第一个女孩子，应该与贾母的感情较深。但是贾府送她入宫，贾母也没有反对。为什么?因为贾府男性已经后继无人，出不了显赫的将相，只好靠出色的女孩子封妃封嫔来换取前程。
为了家族的前程，宁可让出色的元春进入前途渺茫的后宫，输了就是一生孤寂、默默无闻，不会给贾府带来更大的损失;万一赢了(真的是万一，获宠封妃的机会是非常少的，从元春封妃时贾府上下的欢欣之态就可以看出来)，那就是一本万利的买卖。
当初牺牲出色优秀的元春，只是一步闲棋，想着将来可能发挥作用的。现在呢?
据孙绍祖说，贾赦挪用了他五千两银子，才把迎春抵给孙家的。五千两并不是一个大数字，贾母庆寿的开销就是几千两。如果仅仅是钱债，贾府不至于还不上。
而且孙绍祖说是贾赦“收着”他五千两银子，而不是“借”，可见不是借款那样简单，应该涉及到更复杂的枝节，也许是政治方面的图谋。贾赦收了五千两的贿赂，没有给孙家办成事情。退款?已经误了我的事，只退原款，哪有这么容易的?
也就是说，贾赦是被孙绍祖拿住了把柄，挟制了软肋，才会不得不把女儿贱卖——他并不心疼女儿，但如果能卖一个较高的价钱，他也没有理由贱卖。赎卖，只能说明他是没有办法了。
贾政一向古板而不喜操心，加上出远差几年，刚回家不久，对贾赦的这些烂事可能并不知情，所以才会再三劝阻。而贾母呢，即使不知详情，也多少了解贾赦的窘境，知道他除了贱卖女儿，就只能任由孙绍祖报复了。
从孙绍祖对迎春的精神虐待来看，孙绍祖得到迎春，也还认为自己吃了亏。换言之，贾赦欠的债，比一个迎春的价值更加昂贵。
如果任由孙绍祖来报复，那可能是整个贾府的祸患，远比一个女儿损失得更多。
用迎春来避免更大的祸患与损失，是贾母无可奈何的选择，也是贾府唯一的选择。
当然还有别的办法，比如破釜沉舟、殊死搏斗。可是这需要勇气、精力和智慧，而八十岁的老太太贾母，已经没有那样的勇气、精力和智慧了。
