导演：Aleksandr Mitta
主演：奥列格·塔巴科夫 Yelena Proklova 奥列格·叶甫列莫夫 叶甫根尼·列昂诺夫 Leonid Dyachkov
闪亮,闪亮,我的星辰电影上映于1969年,由著名电影明星奥列格·塔巴科夫 Yelena Proklova 奥列格·叶甫列莫夫 叶甫根尼·列昂诺夫 Leonid Dyachkov 主演的喜剧喜剧电影，闪亮,闪亮,我的星辰讲述了: A heroic fantasy about an artist’s destiny at the tumultuous time of social transformations. One of director Alexander Mitta’s best films. The south of Russia, 1920. In a town square, a mono-performance is on, based on Shakespeare’s “Julius Caesar”. The film’s hero who took the pseudonym “Revarm”, which stands for “Revolutionary Art for the Masses”, is seriously interested in theatre. The real life and the stage one are intertwined in his destiny. In a provincial town where the power continuously changes hands, going from the Reds to the Whites, from the Whites to a band of the Greens, this youthful stage reformer, endowed with the gift of persuasion, attracts people to his cause, leaving no one indifferent. A heroic fantasy about an artist’s destiny at th
闪亮,闪亮,我的星辰电影上映于1969年,由著名电影明星奥列格·塔巴科夫 Yelena Proklova 奥列格·叶甫列莫夫 叶甫根尼·列昂诺夫 Leonid Dyachkov 主演的喜剧喜剧电影，闪亮,闪亮,我的星辰讲述了: A heroic fantasy about an artist’s destiny at the tumultuous time of social transformations. One of director Alexander Mitta’s best films. The south of Russia, 1920. In a town square, a mono-performance is on, based on Shakespeare’s “Julius Caesar”. The film’s hero who took the pseudonym “Revarm”, which stands for “Revolutionary Art for the Masses”, is seriously interested in theatre. The real life and the stage one are intertwined in his destiny. In a provincial town where the power continuously changes hands, going from the Reds to the Whites, from the Whites to a band of the Greens, this youthful stage reformer, endowed with the gift of persuasion, attracts people to his cause, leaving no one indifferent. A heroic fantasy about an artist’s destiny at the tumultuous time of social transformations. One of director Alexander Mitta’s best films. The south of Russia, 1920. In a town square, a mono-performance is on, based on Shakespeare’s “Julius Caesar”. The film’s hero who took the pseudonym “Revarm”, which stands for “Revolutionary Art for the Masses”, is seriously interested in theatre. The real life and the stage one are intertwined in his destiny. In a provincial town where the power continuously changes hands, going from the Reds to the Whites, from the Whites to a band of the Greens, this youthful stage reformer, endowed with the gift of persuasion, attracts people to his cause, leaving no one indifferent.
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